Mauro perucchetti biography of williams county

Mauro perucchetti biography of williams county: Mauro Perucchetti brings together

All rights reserved. Text, graphics and video content are protected by UK and International Copyright Laws, and may not be copied, reprinted, published, translated, hosted, or otherwise distributed by any means without explicit, written permission. Open a larger version of the following image in a popup:. For example, one of his key symbols is the Jelly Baby — a little sweet in rudimentary human form, which for him symbolizes the disposability that permeates all aspects of the contemporary consumer society.

He uses it to mock the aspirations that this society claims that it has, but which it so often cynically betrays. What we meet in this exhibition are a Jelly Baby converted into a giant image of Buddha, and rows of Jelly Babies in different colours who come together to create the model of a skyscraper — an imaginary headquarters for the United Nation in New York, slightly grander and more elegant than its present building.

We also meet a roll of toilet paper entirely covered in Swarowski crystals — as pithy a metaphor as one can imagine for useless, senseless and perhaps injurious luxury. The Swarowski crystals are an unusual material for Perucchetti. What he is really in love with is the glowing transparent resin that is his primary material.

A small group of works here are abstract, and make no specific moral or political point. In two, the plastic forms a kind of rippling pool, coloured a glowing orange. It consists of projecting triangles of resin placed against a white ground.